Critical Mass by PhotoLucida 2025 Top 50

CriticalMass
TOP 50
IPA International Photo Awards 1st place winner, 2025

IPA
Winner
LensCulture Portrait AND Critics Choice Editors' Picks, 2025

LensCulture
Editors Picks
Life Framer Series Award shortlisted, 2025

Life Framer
Short List
XIII International Photo Festival PHODAR Biennial winner, 2025

PHODAR
Winner
Hamburg Portfolio Review finalist, 2024

HPR
Finalist
FAPA (Fine Art Photography Awards) nominee
Conceptual Category, 2024

FAPA 10
Nominee

Project exhibitions:

  • Hopkinton Center for the Arts in Hopkinton, MA, USA in 2024
  • ArtsWorcester Gallery in Worcester, MA, USA in 2025
  • Mart Gallery in Yekaterinburg, Russia in 2025
  • The Palace National Gallery, Sofia, Bulgaria in 2025
  • Vision(are) of Griffin Museum of Photography, Winchester, MA in 2025
  • "Impressions: What Is Left Behind" at the Mary Cosgrove Dolphin Gallery, Worcester, MA in 2025
  • "Mythography V: Juno, Venus and Vesta" at Porto Vecchio, Trieste, Italy in 2025
I will disguise myself as you
The sudden and unwanted emigration wrenched me from calm and comfortable life of a middle-aged architect into the one of an exile in a new land. In these times, I turned to photography as a way of holding my family together, of inventing meaning where certainty was gone.

I began constructing a private, fairy-tale world hidden from prying eyes, which only my two daughters have access to. The world where the boundaries of possibility dissolve, the feminine fantasyland sprung from the bedtime tales mothers weave for their children.

In our fantasyland, nothing is permanent. Everything shifts, transforms. Mother, witch, queen; daughter-girl, daughter-child, daughter-doll—each character blending into the next, caught in a constant state of transformation. There is no fixed point, only the shimmering transitions between them. And no end here, even a happy one. The darkness of the outer, unfriendly, foreign world gathers at the edges of each image, yet it cannot extinguish the light we create ourselves.

The three of us transform through European folktales archetypes, haunted, mystical, grotesque, yet the characters and scenes do not replicate any existing stories, our fairytale is still untold.

This work is my means of coping with the despondency and fear of emigration. It is also a opportunity to share play with my daughters and leave them with lasting memories of the time we spent together during this difficult chapter of our lives. This is one of the ways of being a woman and a mother in a quickly collapsing world.
"We are proud to present the Diploma Award to Mari Saxon, whose staged photography evokes a haunting visual narrative that oscillates between memory, performance, and inner myth.

Her series immerses us in carefully constructed domestic scenes where the theatrical and the surreal coexist. Through uncanny juxtapositions of body parts, ritual-like gestures, and painterly lighting, the photographs explore female identity, vulnerability, and the blurred line between reality and dream.

Thank you, Mari, for turning interiors into spaces of tension, transformation, and visual poetry."

____________________________________________________________________________________ Phodar Biennial

"The Magic of Three" at Hopkinton Center for the Arts in Hopkinton, MA, USA in 2024
"Artist Shoeboxes" at ArtsWorcester Gallery in Worcester, MA, USA in 2025
"Women Tales" at MART Gallery in Yekaterinburg, Russia in 2025
"Photographic Reality" at The Palace National Gallery, Sofia, Bulgaria in 2025
"Vision(are)" of Griffin Museum of Photography, Winchester, MA in 2025
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